![]() This means saving time and getting better results without having to mess with image editing software. Like the old view film cameras, PC-E lenses can deliver outstanding results directly on camera, without using any post-processing software. You could spend many hours trying to get everything aligned and fixed. Changes in weather, wind, lighting conditions and other factors could have an adverse effect on the final image. For example, if I had objects at a very close distance to my DSLR camera (flowers, stones, etc), I knew that I either had to step back and increase the space between my lens and my subjects, or I had to shoot multiple images at different focus points and then focus stack them in post-processing.Īnd as you may already know, any time more than one photograph is used to create a single image, there is always a potential for error. Having used regular lenses for many years now, I have been frustrated by certain limitations when photographing landscapes. LIGHTROOM TILT SHIFT FOCUS HOW TOOnce I figured out how to use tilt/shift lenses, when and how to deploy them, I started realizing that the benefits of using such lenses far outweigh their complexity. It took me several weeks to fully understand how to work with PC-E lenses and even after using them for a while, I still had occasional issues with focus and depth of field. They also add to the complexity of using such a lens. These unique features make the 24mm f/3.5D PC-E a very specialized lens. The shifting capability gives photographers the ability to control converging lines, while tilting and swinging allow changing the lens plane to either bring everything in focus, or to selectively apply focus to certain parts of an image. It has many different uses – the lens can act as a normal 24mm lens for wide-angle photography, can swing left and right or tilt up and down and can be shifted in different directions at the same time (with some limitations, as described earlier). The PC-E Nikkor 24mm f/3.5D ED can be a very powerful and valuable tool in a photographer’s bag. ![]()
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